Charlie Wright - Journalism

Live Reviews

Swim School - Scotland's Latest Indie Sensation Conquer Historic Hoxton Hall (Review + Photos)

Caravan Palace - O2 Shepherds Bush Review: Parisian trio host unforgettable evening (Review + Photos)

Basht. - The Social Review: ‘Dirty White Lies’ unleashes chaos in the capital (Review + Photos)

South Arcade - O2 Academy2 Review: A dangerously fiery finale to a hyped-headline tour (Review + Photos)

STONE - The Garage Review: A night of community, equality and bottled-up chaos

The Appearance - Muthers Studio Review: A taste of a bright future

Courting - The Rainbow Review: Literally tearing down the roof (Review + Photos)

Kid Brunswick - The Ramp Review: ‘A massive warm-up for what’s next’ (Review + Photos)

Basht - Sebright Arms Review: Focused, fiery and f**king fearless

The Amazons - Queen’s Hall Review: A band re-born

Sundara Karma - Leicester O2 Academy2 Review: A gateway to youthful memories

Corella - Rescue Rooms Review: Rising stars poised to release a debut album

Wunderhorse - Birmingham O2 Academy2 Review: A life-affirming experience

Easy Life - Leicester O2 Academy Review: No hard feelings, only smiles

Loyle Carner - Royal Albert Hall Review: A birthday to remember

The Amazons - Moth Club Review: A triumphant homecoming warm-up

Sea Girls - Leicester O2 Academy2 Review: Anything but a festival warm-up

Kid Brunswick - OMEARA London Review: He’s going to become f**cking massive

Album Reviews

Feeder, Black/Red: A defiant homage to fans and a light for the next generation

The Snuts return to their roots, independent and stronger than ever on ‘Millennials’

NewDad - ‘Madra’ Review: A visceral depiction of turmoil, self-destruction and madness

Holly Humberstone - ‘Paint My Bedroom Black’ Review: Ghosting, toxicity & self-awareness

Nothing But Thieves - ‘Dead Club City’ Review: DCC is a one-time party

The 1975 - ‘Being Funny In A Foreign Language’ Review: Familiar, but better

YUNGBLUD - ‘YUNGBLUD’ Review: Confident, energetic and raw as ever

Song Reviews

Kid Brunswick - ‘Collide’ Review: Opening the gates to an era of his ‘best music yet’

Basht - ‘Gone Girl’ Review + Q&A: Nothing short of spectacular

Catfish And The Bottlemen - ‘Showtime’ Review: Was the ‘graft’ worth it?

Nothing But Thieves - ‘Oh No :: He Said What?’ Review: Everything Dead Club City could’ve been

swim school - ‘Give Me A Reason Why’ Review: When forever, becomes history

Royal Blood - ‘Pull Me Through’ Review: Shining a light on what’s on the horizon

Formal Socks - ‘Beach House’ Review: A colourful indie-pop debut

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